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Original article
Incidence and relative risk of hearing disorders in professional musicians

Authors

  • Tania Schink Department of Clinical Epidemiology, Leibniz Institute for Prevention Research and Epidemiology-BIPS, Bremen, Germany PubMed articlesGoogle scholar articles
  • Gunter Kreutz Department of Music, School of Linguistics and Cultural Studies, Carl von Ossietzky Universität Oldenburg, Oldenburg, Germany PubMed articlesGoogle scholar articles
  • Veronika Busch Department of Musicology and Music Education, Faculty of Cultural Studies (FB 9), University of Bremen, Bremen, Germany PubMed articlesGoogle scholar articles
  • Iris Pigeot Department of Biometry and Data Management, Leibniz Institute for Prevention Research and Epidemiology-BIPS, Bremen, Germany Institute of Statistics, Faculty of Mathematics and Computer Science (FB 3), University of Bremen, Bremen, Germany PubMed articlesGoogle scholar articles
  • Wolfgang Ahrens Institute of Statistics, Faculty of Mathematics and Computer Science (FB 3), University of Bremen, Bremen, Germany Department of Epidemiologic Methods and Etiologic Research, Leibniz Institute for Prevention Research and Epidemiology-BIPS, Bremen, Germany PubMed articlesGoogle scholar articles
  1. Correspondence to Dr Wolfgang Ahrens, Leibniz Institute for Prevention Research and Epidemiology-BIPS, Department of Epidemiologic Methods and Etiologic Research, Achterstraße 30, Bremen 28359, Germany; ahrens{at}bips.uni-bremen.de
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Citation

Schink T, Kreutz G, Busch V, et al
Incidence and relative risk of hearing disorders in professional musicians
Occupational and Environmental Medicine 2014;71:472-476.

Publication history

  • Received February 16, 2014
  • Accepted March 4, 2014
  • First published April 30, 2014.
Online issue publication 
June 09, 2014

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Published by the BMJ Publishing Group Limited. For permission to use (where not already granted under a licence) please go to http://group.bmj.com/group/rights-licensing/permissions This is an Open Access article distributed in accordance with the Creative Commons Attribution Non Commercial (CC BY-NC 3.0) license, which permits others to distribute, remix, adapt, build upon this work non-commercially, and license their derivative works on different terms, provided the original work is properly cited and the use is non-commercial. See: http://creativecommons.org/licenses/by-nc/3.0/